Listening to Montreal rock band No Joy gives us visions of a professional snowboarder on a sunny day, flying off a jump, doing something complex and elegantmidair.
Not something we necessarily understand. But we’re into it.
We do know that No Joy leaders Laura Lloyd and Jasamine White-Gluz derive their looped and soaring music from guitars and effects pedals. The rest of new album More Faithful is a mystery to us. We’re cool with that–and highly recommend it as a soundtrack to summer road-tripping, camping, head-banging and zoning out.
We spoke to guitarist Laura Lloyd after a recent concert in Seattle about Tevas, tinnitus, complicated time signatures and chia seeds.
Fendi’s calling these “Bugs”–and while we’re honestly seeing birds, not bugs, either way they’re fly. They’re part of a larger Fendi collection of Monster handbags and Bug shoes. This particular sandal is the current favorite footwear of Jodi Taylor, Nordstrom Senior Stylist, who enthuses about it and gives styling tips, below.
In this image we see music/fashion boss Taylor Swift on a brief break from punching people in the face (have you seen “Bad Blood”?) to preview her Nordstrom exclusive sneaker for Keds at a private party in New York.
Nobody moved and nobody got hurt.
Seriously, though: Swift doesn’t really punch people. In fact she was gracious with her time at Canoe Studios in Chelsea and excited to meet her fans: a handful of BP. Fashion Board high schoolers, top Nordstrom customers and Refinery 29 contest winners.
Swift shot the breeze about this and that, talked about her pet seagull who lived in her swimming pool at her old Hyannis Port home–and enthused about her Keds. Especially the Nordstrom exclusive “Welcome to New York” sneaker, based on her song of the same name.
And speaking of the BP. Fashion Board: it’s worth investigating. If you know a teen girl or boy who wants to work in fashion they should sign up. They’ll learn about the industry, gain skills and maybe meet a pop icon.
Although you wouldn’t figure him to be any older than, oh, say, your favorite older brother, Gilles Assor, U.S. head of the super-chic heritage footwear brand Robert Clergerie, has been around—in the best way. If you’re lucky enough to spend an afternoon hearing about his career in fashion, you’ll get an earful. From Galliano-era Dior to Jean Paul Gaultier’s JPG line (“before streetwear was streetwear”) to Paco Rabanne (“Balmain now is Paco Rabanne back then”) to the first time Birkenstocks were cool (and sanctioned by the Parisian boutique Colette), and from Barbara Bui to Margiela to Marc Jacobs in the era of baby discos at the Palais de Tokyo. Assor’s narrative résumé is just plain killer. If he weren’t so sweet and fun, he’d be pretty darn intimidating.
And as much as he knows about fashion (in case that isn’t clear yet, it’s A LOT), he’s also a pretty good resource for all things Chelsea. He’s lived in New York’s art gallery–studded neighborhood for four years, and the Robert Clergerie showroom, Assor’s “office,” has been in the Chelsea Arts Tower for two.
We were lucky enough to while away a few hours there with this fine Frenchman a few weeks ago. He snuck us up to the showroom’s rooftop event space, The Glasshouses, and pointed out the sites from on high: the seemingly singular one-story building where Donna Karan is said to be hosting her next runway show, the Frying Pan, the condos with drive-in, elevator-up garages (!).
“Realtors around here are now buying the sky,” he said in his spot-on, deadpan way. We left it at that—except for the following download on galleries, cocktails, coffee and, naturally, summer’s best shoes. (And some other stuff too.)
Earlier this spring, Pedro Garciabrand ambassador Andreas Kurz set off for a tour of Nordstrom stores where he would meet with fans of the made-in-Spain line and help them customize new looks from a special bespoke selection of four styles and five colors. We asked Kurz to take pictures and keep notes from his travels because, hey—it’s the next best thing to tagging along.
We’re loving Janie Bryant’s 1960s-inspired shoe collection for Shoes of Prey–that’s Emmy-winning Janie Bryant, costume designer for Mad Men. And Shoes of Prey, for the uninitiated, is the Australian brand where all the shoes are customizable by height, heel type and color.
Just like how buying a pair of TOMS shoes helps a person in need, TOMS ensures each pair of sunglasses sold results in sight-giving assistance to a different person who could use help paying for glasses or ocular medical attention.
We spoke to travel hounds and witnesses to TOMS’ good works John Whitledge, creative director and designer for TOMS eyewear, and Darin Dennee, TOMS eyewear director. They gave us insights (pun intended) into TOMS’ programs in Paraguay, which islands they’re surfing next and where to go when you’re in Shanghai.
And they confirmed the virtual unbreakability of these shades.
Here we have a little behind-the-scenes action from the photo shoot for Magic Hour, our new Pop-In@Nordstrom. For the uninitiated, Pop-Ins are recurring boutiques curated by our director of creative projects, Olivia Kim, which exist in select physical Nordstrom locations and, of course, online.
Magic Hour refers to the time at a music festival when the sun sets and tame gives way to turnt. Snapshots and a detailed statement from Olivia below.
Converse Extra Special Value
Synthetic polymer paint on canvas
116 x 180 inches
Check out Converse Extra Special Value, above. That’s artwork featuring classic Converse All Stars by the late pop master Andy Warhol, mimicking his own early work in advertising. As an illustrator and graphic designer, Warhol sometimes drew shoes for ads. As an artist, he brought elements of ads into his pieces shown in galleries and museums, challenging people to see them in a different light.
If that were the only link, Converse’s new Chuck Taylor All Star Andy Warhol Collection sneakers would make sense by themselves. But it gets deeper. Adorned with Warhol’s beloved Campbell’s Soup cans, the Converse X Warhol sneakers are a swirl of classic American products-for-the-people.
In conversation with Carrie Dedon, assistant curator at Seattle Art Museum, we go even further. Among other things, we learn from Dedon that Warhol definitely saw himself as a product, and we find out what his exaltation of logo design had to do with his concept of democracy.