Fresh Dressed is the first-ever documentary about the history of hip-hop fashion, out now in theaters all over the U.S. We recommend you see it. You will be entertained and educated, and perhaps inspired to decorate your jacket.
Energy and insights in Fresh Dressed come from music and fashion leaders including Kanye West, Pharrell Williams, Dapper Dan, André Leon Talley, Riccardo Tisci and the duo of Dao-Yi Chow and Maxwell Osbourne from Public School.
But the overall product is excellent mostly because it was directed by Sacha Jenkins, a 20-years-deep veteran of journalism with Beat Down, ego trip and Mass Appeal magazines. Mainstream America remembers his The (White) Rapper Show on VH1. Some Pratt Institute students call him their professor.
Now you will know him from his interview with the Nordstrom blogs.
Check our interview with Jenkins and the trailer for Fresh Dressed below. And if you’re already feeling TL;DR, check this audio clip from Jenkins about how hip-hop style relates to freedom:
The talent pool is deep over at Studio N, a warehouse space close to our Seattle headquarters where Nordstrom employees–stylists, art directors, photographers, tailors and hair & makeup artists–create imagery for our catalog and website. They do this amongst racks of choice product and models posing like perfect 10s. An inspiring environment.
Photographer Matthew Sumi explains the impromptu photo shoot which yielded these shots:
“We shot a full day of men’s Anniversary looks on Tarik, then we decided to shoot more editorial images outside with this suit. I test often with all the models that come through the studio, to keep fresh and push myself artistically to always create new imagery. On this shoot I was playing with movement and black & white, specifically blur and focus. I’ve always loved trying different techniques. I think movement creates a strong visual element of mood. “
You’ve probably heard the modern, headphone-y pop music of Toronto duo Majid Jordan without knowing it through Drake: they wrote and were featured on Drake’s hit “Hold On, We’re Going Home,” and on “Legend,” he shouts them out, saying their album will drop this year on his label OVO.
Jamie Webster handles the entire visual presence of the group (Majid Al Maskati and Jordan Ullman) as creative director, in between his creative director and partner roles at the Common Good production company and design studio and co-owning the bar Dog & Bear. He took us site by site through the insiders’ tour of Toronto that is the music video for “Forever,” which he directed.
“The idea was to provide their audience with a glimpse of Toronto through Majid Jordan’s eyes. Not the CN Tower or cheesy buskers at Yonge-Dundas Square. It’s not a Toronto tourist video. It’s spaces that are cool or have a significance to us. We see the way the city is depicted and it’s often way off the mark.”
The classic brand goes a lot deeper than one fabric, and with two new designers steering its style, we figured it’s a good time to go behind the brand with interviews andphotos from Haspel’s showroom in New York.
But for one sec, let’s appreciate their heritage.
Haspel was born in New Orleans in 1909. They’ve outfitted every United States President post-Coolidge, Gregory Peck in To Kill a Mockingbird and Jon Hamm in Mad Men. Without Haspel, who knows if we’d have the idea of American suits that keep you literally cool. Or suits that you could wash and dry at home. (They pioneered wash-and-wear, too.)
These days, Sam Shipley and Jeff Halmos are the design force driving Haspel (you may know them from their own brands Shipley & Halmos and S&H Athletics). They were hired last year by Laurie Aronson Haspel, whose great-grandfather Joseph Haspel started the company and whose grandfather Joseph Haspel, Jr., remains something of a company spirit animal.
Jeff Halmos (on the right, above) spoke to us about taking a serious but light approach to handling so much history, about what’s fresh for Haspel for spring–and about what a rad dude Joseph Haspel, Jr., really was.
Converse Extra Special Value
Synthetic polymer paint on canvas
116 x 180 inches
Check out Converse Extra Special Value, above. That’s artwork featuring classic Converse All Stars by the late pop master Andy Warhol, mimicking his own early work in advertising. As an illustrator and graphic designer, Warhol sometimes drew shoes for ads. As an artist, he brought elements of ads into his pieces shown in galleries and museums, challenging people to see them in a different light.
If that were the only link, Converse’s new Chuck Taylor All Star Andy Warhol Collection sneakers would make sense by themselves. But it gets deeper. Adorned with Warhol’s beloved Campbell’s Soup cans, the Converse x Warhol sneakers are a swirl of classic American products-for-the-people.
In conversation with Carrie Dedon, assistant curator at Seattle Art Museum, we go even further. Among other things, we learn from Dedon that Warhol definitely saw himself as a product, and we find out what his exaltation of logo design had to do with his concept of democracy.
‘Twas the season to indulge, friends, but henceforth ‘tis the season to atone. Throughout the month of January, we’ll be bringing you all sorts of Wellness Realness—information and inspiration you can use to get out of lax mode and into good-for-you mode. Or, at least, stop eating cookies for lunch and skipping your morning run.
Image by Chris Cantino
We go hard on the elliptical machine to their DJ mixes and feel all emotional while playing their pop/hip-hop/dance album “Push Thru.” But at this moment, we mostly respect the hell out of the guys in the duo Magic Fades–Portland, Oregon, musician-athletes Mike Grabarek and Jeremy Scott–for their success as curators of Health Goth, the influential Facebook page that in 2014 propelled them to recent meetings as consultants with Adidas.
They’ve done it all with some in-house digital design (in partnership with Chris Cantino and Jan-Peter Gieseking) but mostly just their own taste and the belief that they know what’s dope, and a lot of passion for sneakers like the Nic Galway-designed Adidas Tubulars and these wet-looking Air Maxes. On the phone, Grabarek and Scott talked to us about their partnership with Adidas, fit-for-life attitudes and how Health Goth represents an attack on Portland’s dream of the 1890s.
We’ve been counting down the crucial pre-Christmas shopping days with a series called Gifted Givers, but in this, the final chapter, we’ve gone a little rogue…
Through a spiritual medium in Los Angeles, we reached out to Quasimoto, a dirtbag, deadbeat, bad-guy rapper from the fictional city of Lost Gates, CA. The city is fictional but trust us, the rapper himself is real enough that there’s an NPR story on him. We wouldn’t normally seek the advice of such a low-down character, except for the fact that there’s some real genius and an utterly unique style to his music—the kind that makes Erykah Badu and Kanye West collaborators and fans.
Turns out Lord Quas was in a gift-giving mood for the holiday season, albeit mostly giving to himself. (And yeah, not quite giving enough that he could follow our customary Gifted Giverformat.)
Swedish-born designer Johan Lindeberg took a bonafide life crisis that would send lesser men into a rock-bottom bender, absorbed its impact, and redirected its power into something positive: He founded BLK DNM, a clothing brand with New York City in its veins and dirt under its nails that, being the culmination of Lindeberg’s years of industry experience, feels like a time-tested authority for best-in-class leather jackets, despite its mere four years on Earth.
Keep reading to hear how he did it, how he bled in a castle, how he’s anti-punk, how jeans are like wine, and why he’s a fan of Hillary Clinton.
(Did we mention he also started taking photos only four years ago, and now spends his spare time photographing women like Gisele Bündchen, Kenza Fourati, Anja Rubik and Arizona Muse? Click through to see our favorites from Lindeberg’s rapidly growing photo oeuvre, too.)