The best party nobody went to might’ve been 12 years ago in Norfolk, Virginia, when producers who would change the sound of hip-hop and R&B deejayed to basically nobody.
We’ll let our music video director friend Shomi Patwary tell you about that one.
Long story short, Patwary and British star Mark Ronson go way back, and we now have the video for “I Can’t Lose.” It’s more zesty funk from Ronson–whom we shall never fail to mention without hyperlinking to his and Aaliyah’s classic Hilfiger ad–and bigger-budget moves from Patwary, best known for A$AP Rocky’s “Multiply.”
Check out behind-the-scenes images below from “I Can’t Lose” and an edited transcript of our phone call with Patwary.
We talked about Michael Jackson’s “Smooth Criminal,” Dick Tracy, Blade Runner, the cameo from Waris Ahluwalia–and what happens when the zeitgeist moves post- ‘90s retromania.
The series in which we hook you up with the feeds you need.
If you have even a passing interest in men’s style, stop looking at your friends’ struggle meals on Instagram and start following Nordstrom Men’s Fashion Director Jorge Valls.
Jorge was front row at the just-wrapped Paris Fashion Week, analyzing designers’ Spring/Summer 2016 creations. We must say, it’s a wild time for men’s style right now. We’re loving designers’ risks and overall confidence.
Here are some of our favorite snapshots from Jorge’s krazy life.
The hits: Supermodel Naomi Campbell murdering Riccardo Tisci’s menswear inches from Valls at the Givenchy show (automatic double tap for gender fluidity on the runway) and Thom Browne’s pop art kimonos hanging in gray space.
We’re also fans of Jorge’s images from the Lanvinand Officine Generaleshows. We’re super feeling the monochrome collection from Y-3 (the adidas/Yohji Yamamoto team-up coming soon to Nordstrom). The streetwear surrealism of Hood By Air is haunting our dreams.
See Paris Fashion Week through Valls’ eyes below, and then check his Insta for more–he’s got a ton of shots from Milan Fashion Week on there, too.
With the Brian Wilson biopic Love & Mercy out now, we thought we’d let you know how to shop the Beach Boys’ look from the late 1960s.
This is how the band dressed early in its life–when all the musicians were still pretending to know how to surf*–before they grew out their hair and started wearing robes. Back then it was stripes, chinos and slip-ons. Classic California style.
The sunglasses are our addition. We swore we remembered Wayfarers as part of this ensemble. Google image search does not agree.
*Only drummer Dennis Wilson ever really surfed.
For more about Love & Mercy, check actor Paul Dano on NPR’s Bullseye below:
The always-irreverent Four Pins menswear blog has published an essay about the all-time classic adidas Samba sneaker that will (probably) absorb you, educate you and make you feel feelings. For us, we appreciated how writer Sam Diss put the Samba into English context for an American audience. We were outraged that he thought all Jordans looked the same. And we’re still LOLing IRL about his description of British men’s attitudes toward dancing:
“…anything further than a barely rhythmic shuffling of the shoulders under duress is deemed highly suspect.”
Headliner Kendrick Lamar basically body-slammed the Sasquatch Music Festival this past Memorial Day weekend, in the best possible way, rapping hard in eastern Washington’s beautiful Columbia River Gorge. He looked great in a Canadian tuxedo and rocked a crowd the size of a small city.
The setlist was hit after heavy hit from the Compton, CA, emcee extraordinaire. But we’re beefing over here because he didn’t perform “Complexion,” our favorite track off his 2015 opus To Pimp a Butterfly.
Read about “Complexion,” which features the rapper Rapsody and pianist Robert Glasper, in our interview with Glasper.
Legendary drummer, bandleader and fiercely proud Bay Area native Sheila E. was the hardest of hardcore divas in the 1980s. It broke her down. Now she uses music to build people up.
Back when she ran with Prince and his crew, the timbale expert enforced 12-hour rehearsals for her band and gave commands, not suggestions. She had hits (“The Glamorous Life,” “A Love Bizarre”) and built a lasting work ethic into countless musicians, like Raphael Saadiq who joined her cohort when he was 14. She also became a cold, unfeeling person. She details the transformation in her book The Beat of My Own Drum.
Now that’s all behind her and she’s found the love of music again. You can hear it in her album Icon from 2014 and see it in her music-therapy foundation Elevate Hope. We caught up with her while she was coaching a bunch of young players in Seattle for More Music at the Moore Theatre, teaching them to find their own voices.
We did not talk to her about Prince. We did talk about her dad, Latin jazz heavyweight Pete Escovedo; her godfather, Tito Puente; Krush Groove, the classic hip-hop movie she co-starred in with Run-DMC; and the fact that it took her leaving her family cocoon of supportive musicians to learn about the sexist notion that women shouldn’t play the drums.
One particular vision of spring style we endorse: dressing like a Starburst Easter egg in adidas x Pharrell Williams gear. Just because the holiday’s over doesn’t make it wrong. There is something sublime and optimistic about this much color in one place.
It makes us want to turn up the volume on one of our favorite sublime and optimistic Pharrell songs.
To help you get through this week, or maybe just this hour, we offer words of wisdom, clarity and humor from culture icon EddieHuang.
For the unfamiliar, Huang’s memoir Fresh Off the Boat (which we love) has made him the inspiration for the current TV show of the same name–which he initially endorsed but has become publicly uncomfortable with. Now he’s on the same kind of existential tour as Dave Chappelle was in 2007, using public speaking and comedy as a way to control his narrative, making a universal case for how maddening it can be to maintain one’s identity.
When we saw Huang speak at University of Washington, he was draped in pastel XXBC gear and rocking Nike Trainer 1s. He delved into issues of domestic abuse and racism, and basically led group therapy with a laugh track.
Don Was is one of our heroes, a triple O.G. in the music biz who doesn’t believe his own hype and never stopped being a fan. He’s still blown away by all the new styles in the world, and despite making classics has steered admirably clear of the mindset that “it was all so much better when…”