Is that Yeezy Season 1? Nah brah, that outfit is functional gear from our 1980 workwear catalog. Before workwear was on runways it was just…workwear. It did look great, though. Expect more images from our old workwear catalogs in this blogspace. They are 100% fire.
Consider carving out some of your existence for this video interview, in which Kanye West–style influencer extraordinaire–speaks candidly with Lou Stoppard from SHOWstudio and British GQ for two hours, mainly about fashion and inspiration.
To pick one of many entry points for future argument, Kanye likens himself in the interview to Michelangelo and says clothes are sculptures:
Music video director and friend of the Nordstrom blogs Shomi Patwary previously brought us behind the scenes with Ty Dolla $ign and Mark Ronson. Now he’s giving us rare glimpses at the creative process of the fashion killa himself, A$AP Rocky.
Patwary directed the video for Rocky’s song “Jukebox Joints” with Joe Fox and Kanye West, a highlight off Rocky’s album At.Long.Last.ASAP. West produced the track, which floats on a sample from an old Smokey Robinson jukebox joint.
Patwary’s video is purplish, smoky and the video and language in the song are perhaps NSFW. Know that and consider turning young kids away from the screen as you watch it.
See exclusive photos from the shoot below, and learn which Spike Lee movie inspired the video’s vertically stretched-out look.
The star of all-star jam “FourFiveSeconds” is definitely Rihanna, singing hard and being a badass and crying, performing with Sir Paul McCartney and the current King of Pop, Kanye West. Not the first time McCartney has collaborated with the K.o.P., BTW.
But from a style POV? The star is Rihanna’s jean jacket and leather-belt-tied-like-a-tie combo. Kanye West did the styling, selecting vintage Sean Jean denim. Which means for all you retro trend watchers out there, it’s time dig up your late-’90s/turn-of-the-millennium hip-hop gear like Fubu and Karl Kani.
In case the invitations piling up under your refrigerator magnets (or—congratulations!—your own impending nuptials) weren’t enough, the photos pervading the internet in recent days of Kim and Kanye’s wedding have offered a more-than-sufficient reminder that summer wedding season is officially here.
Keep reading for 10 helpful hints on how to be a winning groom (getting the girl is not even half the battle)—from holding up your end of the planning process to properly outfitting the noble gents standing next to you.
Nine out of ten menswear bloggers agree: Tommy Ton is the reigning king of street-style photography. Whether he’s snapping Nick Wooster or our friend Bruce Pask (or the world’s most fetching female models, for that matter), the soft-spoken sharpshooter has a knack for bringing out each subject’s most supremely photogenic potential—in a candid fraction of a second.
The same holds true when Mr. Ton sits front-row at a theatrical Kanye West concert at Brooklyn’s Barclays Center. (If you enjoyed Ton’s photos from West’s previous tour, you’re in for a treat.) Read on for more of our favorite shots.
French singer, songwriter, poet, composer, artist, actor and director Serge Gainsbourg was kind of like the Kanye West of his time—you know, a creative genius. A jack of many trades. A genre-hopping musician, both in the spotlight and behind the scenes. His lyrics utilized styles of wordplay that would make most rappers (and even self-described word-nerd copy editors—we checked) scratch their heads. (Mondegreen? Spoonerism? Check Gainsbourg’s Wikipedia page for definitions.)
Gainsbourg also managed to sweep some of the best-known bombshells of the 1960s and ’70s off their feet. Check out his 1968 ‘Bonnie and Clyde’ duet with then-ladyfriend Brigitte Bardot above, for example. The song is based on a poem entitled The Trail’s End, written by Bonnie Parker herself just weeks before her Depression-era crime spree with Clyde Barrow came to a grisly end. Gainsbourg’s apparent fascination with American culture is interesting—especially as we find ourselves paying homage to all things French, with our limited-time French Fling Pop-In Shop. (And, as Monsieur West is zealously requesting croissants and collab’ing with minimalist French label A.P.C.)
Below, find some favorite photos of Gainsbourg and guests—all via the essential repository for all things vintage and jaw-dropping: The Impossible Cool.
Perhaps he was not classically handsome. And legend has it that he passed out drunk after taking Jane Birkin to some questionable venues on their first date. But what Gainsbourg lacked in other areas, he made up for in his keen ability to wear a suit like he was born in it. Check out those fitted shoulders, wide lapels, and devil-may-care shirt collar.
Brigitte Bardot, Gainsbourg’s partner in crime in the song above, cleaned up pretty nice, too.
…But who wore it best? Invented in England, perfected by the French—Gainsbourg makes a trench coat look almost as good as Bardot. Note his expert use of accessories: gloves, smoke, icy stare.
Not a bad run: After breaking up with Bardot, Gainsbourg rebounded with English singer/actress Jane Birkin—but’s that’s a whole other story. Here, he rocks the “jacket-as-cape” look about 40 years before the current crop of street-style stars attempted it.
You know that ‘six degrees of Kevin Bacon’ theory, wherein everyone knows someone who knows someone (and so on) who’s famous? Well, here at Nordstrom HQ, we’re lucky enough to be one degree from some quasi-famous and ridiculously talented people. (Not Kevin Bacon—but pretty close.)
One of them is Sonya Westcott, a key member of our Web Development team and also an amazing musician (that’s the back of her head on the right). After playing bass in Rogue Wave (yes, thatRogue Wave) for a while early on, she co-founded ‘psychedelic folk-rock’ duo Arthur & Yu (picked up by Sub Pop co-founder Jonathan Poneman’s then-new label Hardly Art). Sonya’s latest music project, We Are Loud Whispers, came together seemingly miraculously—across the Pacific Ocean, via e-mail, with Japan-based collaborator Ayumu Haitani.
To say we’re impressed with the duo’s new record is an understatement—especially considering it was written, arranged, and put on wax without the two setting foot in the same room (let alone on the same continent). We’re equally impressed with Sonya’s wide-ranging, sometimes abrasive (in the best possible way) taste in music. She was kind enough to share 5 of her recent favorite albums with us below.
Metz – Metz
“Anyone who is a fan of punk, post-hardcore, whatever you want to call it, will love this band. It’s loud, it’s heavy—definitely turned up to 11. They put on a great show. I saw them at Barboza here in Seattle.”
Room 237 – [Soundtrack]
“This is the musical score to a really great documentary about one of my favorite films of all time, The Shining—so as you might imagine, it’s eerie and dark, yet campy at times. Amazing use of synth sounds reminiscent of what you would hear watching zombie films from the late ’70s and early ’80s.”
Matthew E. White – Big Inner
“Honestly, you just need to listen to it in its entirety. It’s that good. If you’re a fan of the soulful, funky bands of the ’70s—horns, strings, smooth-as-velvet vocals—you won’t be disappointed.”
Kanye West has been compared to Pink Floyd, Steve Jobs, and even Mozart. (That last article drew a lot of fire in its comments section, of course…as well as a few lucid arguments from music majors who backed their opinions up with historical facts and classical theory.)
Whatever you think about the man and his music, you have to admit that he’s been influential—in pop culture at large, as well as in the realm of menswear. GQ ran a retrospective on West’s style today, which points pretty clearly to the fact that (ethical qualms with floor-length fur aside) the rapper/producer’s present-day wardrobe choices are his wisest, and most relevant to the rest of us, to date.
See above. West’s tough, monochromatic minimalism seems right in step with the bluntly reduced electro thump of his new album, Yeezus, out today. In his recent NY Timesinterview, West says a lamp by minimalist architect/designer Le Corbusier changed his entire point of view. He also says it takes him a fraction of the time to get dressed these days—proving what we’ve known for a while now: Throw on a leather jacket with anything, from a T-shirt to a tie, and you’re good to go.
The image up top is from West’s performance on Saturday Night Live last month—one of the darkest, most jarring, and most fascinating things that’s happened on that show maybe ever. (Well, there was this.) We can’t exactly show the video here, but if you can handle some controversial political topics, click here.
Here’s a few more live music performances, some from Kanye, some from SNL, and some from 20+ years ago, whose style tips you can take to heart today:
Kanye West famously wore a women’s blouse by Céline at Coachella a couple years ago. Bold move—and we won’t fault him for it. For the rest of us though, vintage grunge heroes like Pearl Jam, promo’ing and dress-rehearsing for SNL in 1992, are probably better role models for summer FESTIVAL STYLE.
The Met Gala is a high-profile party in NYC that marks the opening of the Metropolitan Museum of Art’s annual fashion-related exhibit at the Costume Institute.
It also produces a red-carpet spectacle that, whereas other red carpets engender class and decorum, encourages celebrities to dress and act as zany as possible.
The theme of this year’s Met exhibit is Punk: Chaos to Couture (check out coverage on our women’s blog). The first favorable outcome of this auspicious motif was a series of fashion films from event sponsor Vogue. Dubbed Punk Stories, they included British model-of-the-moment Cara Delevingne displaying her patented mix of good humor and bad attitude (above) and Ukrainian-Canadian bombshell Daria Werbowy, barely recognizable (but still stunning) in a bleached buzz-cut and various other punk-inspired transformations (below).
Then, there’s the wild red carpet and ensuing after-parties. We’re no fashion police when it comes to womenswear—but we know what we like. Here are the ladies (and a couple men) we thought went the most “punk rock” at Monday night’s Met Gala:
Nicole Richie spray-painted her coif grey for the night (and rocked some high-end Topshop).
Alexa Chung wasn’t afraid to push Gerard Butler around.
Kelly Osbourne, Cara Delevingne, Rita Ora—you guys look great, but Miley Cyrus, of all people, was the one who hit the punk-rock nail on the head.
We’re not sure about the blue faux-hawk, but Zachary Quinto’s eyebrow game, as usual, was on-point.
Rooney Mara’s attire for the evening wasn’t overtly punk—but if her anti-establishment Girl with the Dragon Tattoo character is permanently burned into your brain, like it is ours, you’ll agree that she’d look pretty tough even in a bathrobe and bunny slippers.
Kanye West performed, in his now-signature punk-inspired Givenchy gear.
Anne Hathaway went bleach-blonde, reportedly just for the night. For a girl-next-door type like her, that’s punk-rock enough to fit the theme in our book.
And then, there was the part where Jennifer Lawrence photo-bombed Sarah Jessica Parker. But Lawrence acts crazy even at the Oscars and on live TV, so “punking” SJP is par for the course. (Note Marion Cotillard and Lena Dunham cracking up in the background.)
[Photos and videos via Vogue.com, except for Anne Hathaway and Jennifer Lawrence via NYmag.com. Still photos by Pablo Frisk, except Cyrus and co. by Taylor Jewell, Kanye West by Kevin Tachman, Hathaway by Larry Busacca. Individuals pictured do not endorse Nordstrom.]