The makeup at Zac Posen today was inspired by a fresh, youthful and sophisticated girl. We love this simple, approachable look with that pop-of-red pout.
Laura Mercier reinvented the classics on Sunday at Jenny Packham, combining rock ‘n’ roll cat eyes with traditional red pouts for a fun take on modern femininity.
Runway look at Tibi and Bobbi Brown (left)
Less is more—at least it was today when industry veteran Bobbi Brown created an au naturale look for Tibi’s earthy spring palette.
The look at kate spade new york, true to form, was optimistic, fresh, springy and modern–a.k.a. the kate spade girl. For natural, glowing skin, M•A•C lead artist Romy Soleimani started by massaging Studio Moisture Cream into the skin and added Studio Finish Concealer + Fix Foundation where needed. For the eyes, Romy mixed medium water base with M•A•C Pigments applied just above the lash line. She finished the look with Haute + Naughty Mascara in black. The lips were a simple but pretty soft pink using M•A•C Lipstick in Saint Germain.
Final runway look at Creatures of the Wind
We admit it—we’re suckers for all things that sparkle, shimmer or bling—so imagine our delight to walk backstage and see a dramatic, heavily glittered eyelid at Creatures of the Wind today.
Nordstrom-wide, teams are getting ready to converge on New York City later this week to cover the fashion, beauty and scene at Fashion Week. As she’s prepping, our National Beauty Director Loredana Grama is sharing her five secrets to surviving the intense week—chock-full of runways, backstage interviews and in-market appointments—all while looking her best.
M∙A∙C Cosmetics Senior Artist Ashley Rudder explains how to re-create the face used for Kate Spade’s A/W ’15 runway show at New York Fashion Week.
“What was your favorite show this season?” That’s a question I keep hearing in the wake of Fashion Month. A slight bit of panic ensues after anyone asks me what my favorite looks were this season! However, as I mentally scroll through all of the glorious A/W ’15 shows, a few standout looks come to mind: perhaps the romantic, smoky-grey eyes that were created at Thom Browne? Or the futuristic “Bond Girl” black-and-white eyeliner at The Blonds?
Surprisingly enough, the look at Kate Spade–created by M∙A∙C Cosmetics Director of Makeup Artistry Lyne Desnoyers–has remained my makeup crush all season long!
I don’t want to keep this crush to myself, so here is how you can get the look (one you might get after walking on a brisk fall evening through the woods) with its subtly flushed cheeks and rosy pouts.
From “Rock & Roll Spanish Women” and “Smoky Chelsea Girls,” to “Utilitarian Punk” and “Twiggy’s Daughter”—these were just a few of the inspirations heard backstage as we endured the freezing temps in NYC for Fall 2015 Fashion Week. Equipped with weatherproof boots (thank yo,u Aquatalia and Valentino!) and Mom’s super-warm hand-knit legwarmers (thank you, MOM!), we braved wind, snow and sauna-like backstage tents to see fall beauty in all its splendor.
The Eyes Have It
Fall has always been the season for the Smoky Eye. And 2015 is no exception, although new, modern approaches make it exciting, sophisticated and definitely dramatic. Regardless of the techniques and colors used, we saw many cool variations including:
Sure, there’s a lot of buzz about the dresses on the red carpet (rightly so!), but what about all that beautiful makeup? For her gorgeous look, Sienna Miller tapped her longtime friend (and one of the best makeup artists around) Charlotte Tilbury. We asked Tilbury to share what it’s like behind the scenes getting ready for the red carpet at the Academy Awards. Here’s how she created the look (while the two rocked out to some Bob Dylan).
1. Charlotte started with her Goddess skin clay mask, a product she says “is the key to shrinking pores and tightening the skin, leaving you with a perfectly dewy, plumped and revived red-carpet glow.”
3. Next, Charlotte applied Light Wonder foundation in 6 medium and 7 medium, then the retoucher concealer in 2 fair under the eyes and 3 medium for the rest of Sienna’s face.
4. Air Brush Flawless Finish powder in 1 fair and 2 medium was applied only to the T-zone to control shine while keeping from taking away from the dewiness on the rest of the skin.
5. To enhance Sienna’s eyebrows, Charlotte used Brow Lift in Grace K and Cara D.
8. To enhance the cheekbones, Charlotte applied Filmstar Bronze & Glow with the powder & sculpt brush, following the hollows of the cheeks and along the jawline with the bronzer and applying the highlighter shade to the top of the cheekbones.
9. To further accentuate Sienna’s features, Beach Stick in Moon Beach and Ibiza were used to illuminate and sculpt.
10. To prep the lips, Charlotte used Lip Love lip scrub and Lip Magic. Lip Cheat lip liner in Pillowtalk was applied to mimic the pigment of Sienna’s lips and filled in with K.I.S.S.I.N.G lipstick in Bitch Perfect.
11. Last, for an allover glow, Charlotte applied Supermodel Body all over Sienna’s limbs.
Want even more step-by-step instructions and smart tips from a famed makeup artist? Meet Charlotte Tilbury in person as she recreates some of her red-carpet looks at Nordstrom The Grove, February 24, 6-8 pm. Call 323.900.1418 to RSVP.
SHOP: Charlotte Tilbury
It’s Sunday morning and you’ve just woken up. You study last night’s lingering eye makeup in the mirror and think, This looks good. I’m wearing this today!” That’s exactly the eye look seen at Blue Les Copains by Peter Som this morning. Chantel Miller with M•A•C Cosmetics described the makeup as “the girl who used to live downtown but moved uptown. This is her out-to-brunch face; she’s rocking the makeup she had on last night.”
Of course, we don’t advocate sleeping in your makeup, so here’s how to re-create this cool eyeliner look on a clean face. Blacktrack Fluidline was used to line the top lash line, which Chantel then diffused with two shades of shadow: Copperplate and Coquette. She said it made the liner look dirty (in a good way, we promise) and a bit dusty. The lower liner was again Blacktrack, only smudged with the 239 brush. A blue-grey Technakohl eyeliner (new for fall) was applied along the waterline and outer lid only. The effect was made to look like kohl pencil that had worn down, which just somehow looked cooler than a perfect line.
Last, Dusk cream color base (a gorgeous brown) was pressed into the center of the lower lash line. This beautiful sheen was again meant to look like the kohl pencil had worn off a bit, which only gave the appearance of a slightly lived-in feel with a lot more character. We loved Chantel’s advice about why we should try layering and blending our eyeliner with eyeshadow this fall; she said it makes the liner look a bit dusty and less black. This is an especially great tip if you think that black liner is too much for you. We can’t wait to experiment!