Art, nature and the human body were inspirations at Osklen today, where hairstyles took central focus backstage.
Tadashi Shoji is known for the simplicity, lines, shapes and textures of his clothing, and the makeup and nails perfectly captured this trademark for his Spring 2015 collection: Venice and Adriatic architecture, specifically a building called Cad-Oro. Built in 1400-1600, Cad-Oro is a marble masterpiece, so Pep Gay for M·A·C used this influence to create a ‘finished, expensive’ look.
Skin was dewy and done without heaviness. Face and Body Foundation was applied after moisturized skin. Concealer was used only on blemishes, and finished off with a dusting of translucent powder, which was also used around the nose and under eyes.
Intensity was added to the eyes with Black Cream Liner, applied in a thin line on the root of the lashes. To recreate a mother-of-pearl effect, a new Eye Gloss in Pearl Varnish was painted on with a small flat brush from the lash roots up to the brow. This iridescent pearly gloss – super thick and tacky – made the eyes look finished and gorgeous. Luna Cream Color Base, applied with the fingers on the cheekbones, offered a mother-of-pearl effect. Completing the look was a new shade of Lipglass in Sakura, an iridescent shade with a pink undertone. Pep says pink undertones [make] the face alive and fresh.
Katie Hughes with butter LONDON created a showstopper nail look, perfectly fitting to match the textures and architectural quality of Shoji’s fashions. High Tea, a new nude (a hybrid of sheer and full pigment nude), was painted on first. Then, a fine-tipped striping brush was dipped on Full Monty, a gorgeous gold, and painted in a crosshatch diamond pattern.
M·A·C Senior Artist Cynthia Rivas introduces the new A Novel Romance Collection with a how-to guide for re-creating three different sultry looks, inspired by the tongue-in-cheek campaign imagery.
All three looks are focused around subtle pops of color against beautiful and natural looking skin, so begin each look by applying your favorite foundation and perfecting the skin. I recommend a lightweight, natural foundation, like M·A·C Mineralize Moisture SPF 15 Foundation, set with Mineralize Skinfinish Natural to give skin a romantic glow.
If you need more coverage, you can conceal any imperfections with (my secret weapon) Pro Longwear Concealer.
Once your skin is perfected, you can then focus on the rest of the look.
Seduction of a Scot
A look to make the eyes pop—for someone who isn’t afraid of color.
2. Blend Electric Cool Eye Shadow in ‘Switch to Blue’ over the lid, then soften the edges again with the brush.
3. Apply a healthy coat of black mascara. Finish by lining the waterline with Eye Kohl in ‘Fascinating’ to make eyes appear larger.
4. Apply Powder Blush in ‘Animal Instincts’ to the apples of the cheeks.
Scandal on the High Seas
A focus on the eyes using neutral tones.
1. Smooth on Pro Longwear Paint Pot in ‘Indianwood’ from lash line to crease.
2. Start with the ‘My Fantasy’ color from the ‘A Novel Romance’ Eyeshadow Palette all over your eyelids. Contour your eyes with Eyeshadow in ‘Wedge’. Line the top lash line with Fluidline Pencil in ‘Earth Sign’ to help create a fuller lash line.
3. Finish by curling lashes and applying Mineralize Multi-Effect Lash on both the top and bottom lashes.
4. Give cheeks a perfect blushing tone with Powder Blush in ‘Fun Ending’.
A soft, romantic look for every day.
1. Apply Cream Color Base in ‘Pearl’ to eyelids, and also to cheekbones for highlighting.
3. Curl lashes and apply Haute & Naughty Too Black Lash to both top and bottom lashes.
4. Apply Powder Blush in ‘Fun Ending’ to cheeks, smiling while you do so to get the cheekbones at that angle. For lips, create a kissable, stained lip look by mixing Lipstick shades ‘Myself’ and ‘Good Kisser’, and press onto lips with fingers.
Follow Cynthia on Twitter for daily beauty tips and how-tos: @MAC_Cynthia_R.
Nordstrom Rewards members!
During Anniversary Sale Early Access, you can shop loads of Beauty Exclusives—like these M·A·C Look in a Box sets—while supplies last (opens to the public July 18). As a bonus, M·A·C Senior Artist John Stapleton describes how each gorgeous palette makes it super-easy to create a fresh and fabulous look.
Join us backstage at the Monique Lhuillier spring 2015 bridal collection show for an insider’s view of the gorgeous nail and makeup looks.
John Stapleton, M·A·C Cosmetics Senior Artist, has the scoop on how to work runway colors into your everyday beauty routine using M·A·C Playland.
Nothing looks better against bronzed, summery skin than a bright pop of color on lips, cheeks and eyes. But that doesn’t mean you have to wear them all together! Just in time for the season, M·A·C Playland offers an array of colors that can be worn off the runway for every day.
M•A•C Senior Artist Cynthia Rivas rounds up a few of her favorite makeup trends at Fashion Week.
When it comes to makeup trends backstage, color is back: white, black, bronze, blue, red and everything in between!
Adam Selman, makeup Jeanine Lobell | Azede Jean-Pierre, makeup M·A·C Cosmetics Director of Makeup Artistry Romero Jennings
Color was applied in a simple yet smart way at Adam Selman. A pop of saffron on the eyes paired with M·A·C Lipstick in ‘Lady Danger’ offered maximum impact with minimal effort. The face was beautifully sculpted with Matchmaster Foundation and Mineralize Powders for contour and highlight. The key for this look was application.
At Azede Jean-Pierre, key artist and our very own M·A·C Cosmetics Director of Makeup Artistry, Romero Jennings, created a look that can be taken off the runway and onto the street. He used M·A·C Eyeshadow in ‘Coppering’ on the eyes to create a winter glow that is gorgeous and sexy on all skin tones. At Calla, a sixties-inspired eye was made modern by using a soft wash of blue through the crease.
Peter Som, makeup Tom Pecheux
Contrast in texture was another strong makeup trend this season. Metallic eyeshadows and gloss texture were some of the most popular products used backstage, seen mainly on the eyes against matte skin. At Peter Som, key artist Tom Pecheux created a sixties-inspired eye using M·A·C Blacktrack Fluidline to shape the eye. Gloss was then applied over the entire lid to create a dewy look. This trend was kept more neutral at Mathieu Mirano by using warm browns to enhance the shape of the face. Gloss was then applied across the entire eyelid to contrast the matte, warm skin.
Follow Cynthia on Twitter for daily beauty tips and how-tos @MAC_Cynthia_R. Photos by Luca Cannonieri and via Azede Jean-Pierre.
This season at Fashion Week, it was all about creamy, well-hydrated, glossy lips. The look was more dewy than gooey, with an emphasis on sheen rather than a hugely reflective look.
Mineralize Lipglass is my go-to product when creating a dewy glow. It contains 77 minerals that condition the lips over time, so you get perfect feeling AND looking lips in very modern hues!
Backstage Beauty: DKNY, Peter Som (top) & Donna Karan fall 2014 runway looks.
We saw ‘Lovingly Yours’ backstage at Diane von Furstenberg. ‘Ray of Sunshine’ was used at Donna Karan as well as at Peter Som, so it’s definitely a must-have shade for seasons to come. Use it alone by applying it with the provided applicator. Or, if you want to use it over a lipstick in an intense color, like ‘Morange’, transfer the gloss to a lip brush like the #316 in order to not taint the color of the gloss by getting it on the wand.
For a daytime look, simply apply and you are good to go. And yes, Mineralize Lipglass can still come in handy when it’s time to switch gears from day to date night. Pair it with your favorite lipstick to give it an extra pop of shine! I love these for the red carpet as well. They give a little pop of light to any lipstick you choose to use with it and feel extra hydrating and comfortable on the lips.
Follow Gregory on Twitter for daily beauty tips and how-tos @MAC_Gregory_A.
Photos: Luca Cannonieri
Donna Karan‘s 30th anniversary show featured the biggest models in fashion, and to put their best face forward the New York-based designer turned to Charlotte Tilbury for M•A•C, who created a glossy, metallic lid paired with a gorgeously youthful complexion.
Charlotte shares how she created the look:
“To start, I used a luxurious moisturizer to keep the skin hydrated and dewy, and then a concealer on any blemishes and areas of redness. The moisturizer was then used again on top of the cheekbones as a highlighter to catch the lights as the girls walked down the runway. I lined the waterlines of the eyes with M•A•C Eye Kohl in Phone Number and smudged a bit on the top lash line. Silver metallic creams were washed onto the lids toward the brow bone, and later a layer of gloss was added for a liquid silver effect. The lips were kept dewy and soft with lip balm. Concealer was added to them to tone down any redness.”
Karlie Kloss boldly wears this soft, smudged eye statement.
Join us backstage at all the big-ticket shows during Fashion Week.
You get to meet a lot of talented artists at Fashion Week, and today was no exception. We had an incredible experience watching one of the world’s top makeup artists, Charlotte Tilbury as she created the looks for M•A•C at Cushnie et Ochs.
With work appearing in Vogue, Vanity Fair, V—the list goes on—and a client list full of celebs that reads like a who’s who of the fashion industry, Charlotte is a well-established and widely recognized name in the world of beauty and glamour. Here’s what she created at the show.
Elongated, winged eyeliner was the call to action for creating simple but elaborate standout eyes at Cushnie et Ochs. Charlotte described it as the ‘feline flick’, and walks us through how to get the look.
“I used M•A•C Kohl Pencil in Feline to draw an elongated feline shape and added exaggerated intensity with M•A•C Gel Liner in Blacktrack over the top. The lashes were then curled, and mascara was applied along the top lash line. Last, I added the Feline pencil to the top waterline of the lashes to really build that hypnotizing, feline shape.”
Charlotte’s tip: Draw a dot on the outer corner of the eye where you want the flick to end. From the dot, draw a line downward to the lash line, which creates the perfect triangle every time.