Candy’s great. But once the kids pack it in for the night, take a moment to remember what Halloween is really all about: things that go bump, blah, boo, and ree! ree! ree! in the night.
So pop some corn, scrape together the last few fun-size Twixes, kill the lights, grab a spot on the couch next to the sultry stewardess or Medusa in your life, and pop in one of the horror classics below—chosen as much for their cinematic glory as for their eery and avant-garde poster designs.
Dracula Has Risen from the Grave (1968)—poster by Bill Gold
Children of the Damned (1963)
Christine (1985)—poster by Jakub Erol
Rosemary’s Baby (1968)—poster by Frankfurt Gips Balkind
The Beast Within (1982)
The Shining (1980)—poster by Saul Bass
Beetlejuice (1988)—poster by B.D. Fox Independent
Further Reading (and Watching): For a complete list of ‘The 50 Greatest Horror Movie Posters of All Time,’ visit Film.com. We found their article via the website of poster artist Midnight Marauder—revisit his top-five horror flicks from last Halloween here.
In honor of today’s ominous holiday, movie buff and design mastermind Midnight Marauder recently released a series of re-imagined movie posters inspired by his favorite horror films of the past 40 years.
In a true feat of artistic prowess, the LA-based graphic designer constructed a self-imposed challenge of creating five posters in five days. The results are below, along with notes from Marauder himself. Now all you need is the proverbial bowl of candy on the porch, so trick-or-treaters don’t egg your house while you’re busy freaking the [expletive] out in front of your flat-screen tonight.
#1 of 5: The Exorcist. “For the first poster in the series, I wanted as little color as possible. I also tried to bring an edge that the film gives from the very beginning—as if the film was made by a demented Polish director.” [Editor’s note: Some might call the on-set methods of Amercian director William Friedkin demented indeed.]
The Exorcist airs on IFC tonight.
#2 of 5: Drag Me to Hell. “One of my favorite horror thrillers of the last 10 years. It’s a gem, a masterpiece of a film—it’s a ‘Treehouse of Horror’ story put to film. I tried to really bring the sense of evil, with the hands clawing themselves up, and the eyes that stare right back at you.”
#3 of 5: The Fly. “Cronenberg’s fascination with the human body takes new form in his remake of the classic. Not much color to speak of—I didn’t want any colors that we tend to associate with the film, glowing greens and blues. Metal-grey is more bleak. The halftone image represents the molecules morphing within the teleportation machine.”
#4 of 5: Let the Right One In. “This film really moved me like no other vampire film has ever done before. It’s a beautiful love story. With this poster, I didn’t want to use any element from the film. I had this old photo of a little girl that reminded me of the girl in the film, so I fixed it up slightly, and the final poster is rather chilling.”
#5 of 5: The Silence of the Lambs. “Everyone knows this one, it’s a marvelous film. Anthony Hopkins and Jodie Foster are amazing, but I think the real star of the film is Ted Levine. A pure genius in acting, hands-down the greatest serial killer in movie history. The poster has various levels of shapes and hidden surprises. The colors are simple as with all the posters in the series. I wanted simplicity with the entire group.”