In a contemplative mood this summer, we’ve been reaching for OK by the New York City band Eskimeaux, an album that makes us believe again in the power of turn-of-the-millennium indie rock. We listen while we read Rookie Magazine and The Le Sigh, and think maybe it’s not a dead genre. Maybe instead it’s a not-broken, doesn’t-need-fixing staple.
We met with bandleader and sometimes solo performer Gabby Smith in an undisclosed greenhouse to talk about the weird ambient music she used to make, her upcoming video session for NPR and the value of tenacity in one’s artistic process.
Vaadat Charigim: Dan Bloch (denim jacket), Juval Haring (hoodie), Juval Guttmann (black tee); images by Manuela Insixiengmay
In case of the summer bummer, we’ve been known to turn to shoegaze rock–the subgenre made from loops and layers of guitar noise–and travel to a place where pain is beauty.
It usually works.
When we caught up with Juval Haring, who fronts Israeli shoegaze band Vaadat Charigim, he described himself as “pessimistic” and “cynical.” He also deadpanned about his first name, which he shares with his drummer:
“Juval is a common Israeli name. I’m kind of like the Israeli Craig.”
Haring is funny. His band’s new album, Sinking As a Stone, generally, is not.
With little to no musical support system back home and yet over 1,000 concerts played so far, Haring explained what Berlin, Germany, and Portland, OR, have to do with each other, some of his more existential lyrics–and why he keeps on rocking in the free world.